Qawwali at Nizamuddin Aulia’s Dargah

1.
Between two saints he shares the earth,
Mohammad Shah Rangeele
(evoked in monsoon khayals).
The beggar woman kisses the marble lattice,
sobs and sobs on Khusro’ pillars.
In a corner Jahanara, garbed in the fakir’s grass,
mumbles a Sufi quatrain.

We recline on the gravestone,
or on the saint’s poem, unaware
of the sorrow of the pulverized prayer.

Time has only its vagrant finger.
Knowing no equal, it pauses for massacres.

2
Suffering has its familiar patterns:

We buy flowers for Nizammudin’s feet,
dream in the corner to the qawwal’s beat.
The saint’s song chokes in his throat.

The poor tie prayers with threads,
accutomed to their ancient wish
for the milk and honey of Paradise.

3
I’ve learnt some lessons the easy way:
I’ve seen so many, even a child somewhere,
his infant bones hidden forever.

Stone, grass, children turned old:
The dead have no ghosts.

4
These are time’s relics, its suffered epitaphs:

I come here to sing Khusro’s songs.
I burn to the end of the lit essence
as kings and beggars arise in the smoke:

That drunk debauched colourful king
dances again with hoofs of sorrow

as Nadir skins the air with swords,
horses galloping
to the rhythm
of a dying
dynasty.

The muezzin interrupts the dawn, calls
the faithful to prayer with a monster-cry:

We walk through streets calligraphed with blood.

– Agha Shahid Ali

The Jama Masjid Butcher

Urdu, bloody at his lips
and fingertips, in this
soiled lane of Jama Masjid,

is still fine, polished
smooth by the generations.

He doesn’t smile but
accepts my money
with a rare delicacy

as he hacks the rib of History.
His courtesy grazes

my well-fed skin

(he hangs this warm January morning
on the iron hook of prayer).

We establish the bond of phrases,
dressed in the couplets of Ghalib.

His life is this moment,
a century’s careful image.

– Agha Shahid Ali

The above poem was later published in a revised and edited version as below:

The Butcher

In this lane
near Jama Masjid,*

where he wraps kilos of meat
in sheets of paper,

the ink of the news
stains his knuckles,

the script is wet
in his palms: Urdu,

bloody at his fingertips,
is still fine on his lips,

the language polished smooth
by knives

on knives. He hacks
the festival goats, throws

their skins to dogs.
I smile and quote

a Ghalib line; he completes
the couplet, smiles,

quotes a Mir line. I complete
the couplet.

He wraps my kilo of ribs.
I give him the money. The change

clutters our moment of courtesy,
our phrases snapping in mid-syllable,

Ghalib’s ghazals left unrhymed.

– Agha Shahid Ali
* Jama Masjid is the great mosque of Delhi. Ghalib and Mir, two of the greatest Urdu poets, are especially known for their ghazals.

 

At Jama Masjid, Delhi

Imagine: Once there was nothing here.
Now look how minarets camouflage the sunset.
Do you hear the call to prayer?
It leaves me unwinding scrolls of legend
till I reach the first brick they brought here.
How the prayers rose, brick by brick?

Shahjahan knew the depth of stones,
how they turn smooth rubbed on a heart.
And then? Imprisoned
with no consoling ghosts,
bent with old age,
while his cirgin daughter Jahanara
dressed the cracked marble reign
his skin kept up for so long.

– Agha Shahid Ali

The walled city: 7 poems on Delhi

 

1
From tomb to tomb,
I chew the ash of prayers.
Won’t poetry happen to me?

Caught in the lanes of history,
don’t I qualify now?

I have even seen Allah in rags
extend the earth like a begging bowl.

2
The Two-Nation Theory is dead
But the old don’t forget.

In this city of refugees,
trains move like ghosts.
The old don’t forget.

My friend’s grandfather,
hoarder of regrets,
cautions: Those Muslim butchers:
Be careful, they stab you in the back.
I lost my beloved Lahore.

My friend and I are rather simple:
We never saw the continent divide.

3
The streets light up
with the smiles of beggars.
Words fail me,

for I need a harsh language.
But I’m comfortable
like an angry editor.

4
I carry the beggar-woman’s hunger
in my hand

as her eyes follow me to my poems,
follow me into the coffee house
where I’m biting into her,

eating morsels of her night.

5
The bootblack brushes my shoes:
Does my heart beat in my feet?

His knuckes carry the memory
of this city.
My shoes shine like death

as I wait at the bus stop
for Delhi’s dome of sweat
to break into a monsoon of steel
and rip my Achilles heel.

6
Believe me,
he sat here in this dirt corner
winter and summer, winter, summer.

This morning he wasn’t there
with his ancient beard
and his stretched-out hand.

The sweeper said he took him away
with the morning garbage.

7
A safe distance of smells.
The restaurant airconditioned,
I drink my beer.

Outside the beggars
laze in empty tins,
peeling the sun,
their used beer-can.

Waiter, get me another beer!

– Agha Shahid Ali

Bahaar Aayi

bahār aa.ī to jaise yak-bār
lauT aa.e haiñ phir adam se
vo ḳhvāb saare shabāb saare
jo tere hoñToñ pe mar-miTe the
jo miT ke har baar phir jiye the
nikhar ga.e haiñ gulāb saare
jo terī yādoñ se mushkbū haiñ
jo tere ushshāq kā lahū haiñ
ubal paḌe haiñ azaab saare
malāl-e-ahvāl-e-dostāñ bhī
ḳhumār-e-āġhosh-e-mah-vashāñ bhī
ġhubār-e-ḳhātir ke baab saare
tire hamāre
savāl saare javāb saare
bahār aa.ī to khul ga.e haiñ
na.e sire se hisāb saare

बहार आई तो जैसे यकबार
लौट आए हैं फिर अदम से
वो ख़्वाब सारे शबाब सारे
जो तेरे होंटों पे मर मिटे थे
जो मिट के हर बार फिर जिये थे
निखर गए हैं गुलाब सारे
जो तेरी यादों में मुश्कबू हैं
जो तेरे उश्शाक़ का लहू हैं
उबल पड़े हैं अज़ाब सारे
मलाल ए अहवाल दोस्तां भी
ख़ुमार ए आग़ोश ए महवशां भी
ग़ुबार ए ख़ातिर के बाब सारे
तेरे हमारे
सवाल सारे जवाब सारे
बहार आई तो खिल गए हैं
नए सिरे से हिसाब सारे

bahār aa.ī to jaise yak-bār
Spring is here as if suddenly

lauT aa.e haiñ phir adam se
back from nowhere are
 
vo ḳhvāb saare shabāb saare
all those dreams, all those beauties of youth
 
jo tere hoñToñ pe mar-miTe the
those who died longing for your lips
 
jo miT ke har baar phir jiye the
those who came alive every time after being destroyed
 
nikhar ga.e haiñ gulāb saare
all the roses glisten
 
jo terī yādoñ se mushkbū haiñ
those that are fragrant with the musk of your memory
 
jo tere ushshāq kā lahū haiñ
those that are the lifeblood of your lovers
 
ubal paḌe haiñ azaab saare
all the torments have boiled over
 
malāl-e-ahvāl-e-dostāñ bhī
the anguish and apprehensions about friends
 
ḳhumār-e-āġhosh-e-mah-vashāñ bhī
the intoxication of warm embraces
in the beauty of the moon
 
ġhubār-e-ḳhātir ke baab saare
in our dust of memories
 
tire hamāre
yours and mine
 
savāl saare javāb saare
all the questions, all the answers
 
bahār aa.ī to khul ga.e haiñ
have opened up again, with spring
 
na.e sire se hisāb saare
all the old accounts anew 


So my literal, almost word-by-word clunky translation with words looked up in the dictionary goes something like this:
 

Spring is here as if suddenly
back from nowhere
are all those dreams, all those beauties of youth
those who died longing for your lips
those who came alive every time after being destroyed
all these roses glisten
fragrant with the musk of your memory
the lifeblood of your lovers
all the torments have boiled over
the anguish and apprehensions about friends
the intoxication of warm embraces
in the beauty of the moon
in this dust of memories
yours and mine
all the questions, all the answers
have opened up again, with spring
all the old accounts anew 

(Hurried translation draft by SD)

Agha Shahid Ali takes liberties and transcreates this as follows:

It Is Spring, Again

It is spring, And the ledger is opened again.
From the abyss where they were frozen,
those days suddenly return, those days
that passed away from your lips, that died
with all our kisses, unaccounted.
The roses return: they are your fragrance;
they are the blood of your lovers.
Sorrow returns. I go through my pain
and the agony of friends still lost in the memory
of moon-silver arms, the caresses of vanished women.
I go through page after page. There are no answers,
and spring has come once again asking
the same questions, reopening account after account.