The Prison Cell | Mahmoud Darwish

It is possible . . .
It is possible at least sometimes . . .
It is possible especially now
To ride a horse
Inside a prison cell
And run away . . .

It is possible for prison walls
To disappear,
For the cell to become a distant land
Without frontiers:

What did you do with the walls?
I gave them back to the rocks.
And what did you do with the ceiling?
I turned it into a saddle.
And your chain?
I turned it into a pencil.

The prison guard got angry.
He put an end to the dialogue.
He said he didn’t care for poetry,
And bolted the door of my cell.

He came back to see me
In the morning.
He shouted at me:

Where did all this water come from?
I brought it from the Nile.
And the trees?
From the orchards of Damascus.
And the music?
From my heartbeat.

The prison guard got mad.
He put an end to my dialogue.
He said he didn’t like my poetry,
And bolted the door of my cell.

But he returned in the evening:

Where did this moon come from?
From the nights of Baghdad.
And the wine?
From the vineyards of Algiers.
And this freedom?
From the chain you tied me with last night.

The prison guard grew so sad . . .
He begged me to give him back
His freedom.


(Translated by Ben Bennani)

ai habib-e-ambar-dast! | Faiz Ahmad Faiz | Fragrant Hands | Agha Shahid Ali

ek ajnabii KHaatuun ke naam KHushbuu kaa tohfa vasuul hone par

kisī ke dast-e-ināyat ne kunj-e-zindāñ meñ
kiyā hai aaj ajab dil-navāz band-o-bast
mahak rahī hai fazā zulf-e-yār kī sūrat
havā hai garmī-e-ḳhushbū se is tarah sarmast
abhī abhī koī guzrā hai gul-badan goyā
kahīñ qarīb se, gesū-ba-dosh, ġhuncha-ba-dast
liye hai bū-e-rifāqat agar havā-e-chaman
to laakh pahre biThā.eñ qafas pe zulm-parast
hamesha sabz rahegī vo shāḳh-e-mehr-o-vafā
ki jis ke saath bañdhī hai diloñ kī fat.h o shikast

ye sher-e-hāfiz-e-shīrāz, ai sabā! kahnā
mile jo tujh se kahīñ vo habīb-e-ambar-dast
”ḳhalal-pazīr buad har binā ki mai-bīnī
ba-juz binā-e-mohabbat ki ḳhālī az-ḳhalal-ast”

किसी के दस्त-ए-इनायत ने कुंज-ए-ज़िंदाँ में
किया है आज अजब दिल-नवाज़ बंद-ओ-बस्त
महक रही है फ़ज़ा ज़ुल्फ़-ए-यार की सूरत
हवा है गर्मी-ए-ख़ुशबू से इस तरह सरमस्त
अभी अभी कोई गुज़रा है गुल-बदन गोया
कहीं क़रीब से, गेसू-ब-दोश, ग़ुंचा-ब-दस्त
लिए है बू-ए-रिफ़ाक़त अगर हवा-ए-चमन
तो लाख पहरे बिठाएँ क़फ़स पे ज़ुल्म-परस्त
हमेशा सब्ज़ रहेगी वो शाख़-ए-मेहर-अो-वफ़ा
कि जिस के साथ बंधी है दिलों की फ़तह ओ शिकस्त

ये शेर-ए-हाफ़िज़-ए-शीराज़, ऐ सबा! कहना
मिले जो तुझ से कहीं वो हबीब-ए-अम्बर-दस्त
”ख़लल-पज़ीर बुअद हर बिना कि मय-बीनी
ब-जुज़ बिना-ए-मोहब्बत कि ख़ाली अज़-ख़लल-अस्त”

کسی کے دست عنایت نے کنج زنداں میں
کیا ہے آج عجب دل نواز بند و بست
مہک رہی ہے فضا زلف یار کی صورت
ہوا ہے گرمئ خوشبو سے اس طرح سرمست
ابھی ابھی کوئی گزرا ہے گل بدن گویا
کہیں قریب سے ،گیسو بدوش ،غنچہ بدست
لیے ہے بوئے رفاقت اگر ہوائے چمن
تو لاکھ پہرے بٹھائیں قفس پہ ظلم پرست
ہمیشہ سبز رہے گی وہ شاخ مہر و وفا
کہ جس کے ساتھ بندھی ہے دلوں کی فتح و شکست

یہ شعر حافظ شیراز، اے صبا! کہنا
ملے جو تجھ سے کہیں وہ حبیب عنبر دست
”خلل پذیر بود ہر بنا کہ مے بینی
بجز بنائے محبت کہ خالی از خلل است”

– Faiz Ahmad Faiz,
Central Jail, Hyderabad
28, 29 April, 1953

This appears in Agha Shahid Ali’s Rebel’s Silhouette as

Fragrant Hands 
(For the unknown woman who sent me a bouquet of flowers in prison)

A strange arrangement to comfort the heart-
someone has made that possible
in a corner of the cell
with giving generous hands,

and the air is now so softened,
I compare it with the beloved’s hair,
the air is so drowned,
I think a body, wearing a jewellry of blossoms,
has just passed this way.

And as the air holds itself together,
a bouquet of compassion,
I can say:

Let thousands of watches be set on cages
by those who worship cruelty,
fidelity will always be in bloom –
this fidelity on which are grafted
the defeats and triumphs of the heart.

Should you, Oh air, ever come across her,
my friend of fragrant hands, recite this from Hafiz of Shiraz to her:
“Nothing in this world is without terrible barriers –
Except love, but only when it begins.

Agha Shahid Ali also uses the Hafiz verse in one of his own poems: By the Waters of the Sind

Google Translate renders these lines as:
“Every building you see was disruptive
Except for love, it is free from defects.