High Windows | Philip Larkin

When I see a couple of kids
And guess he’s fucking her and she’s
Taking pills or wearing a diaphragm,
I know this is paradise

Everyone old has dreamed of all their lives-
Bonds and gestures pushed to one side
Like an outdated combine harvester,
everyone young going down the long slide

To happiness, endlessly. I wonder if
Anyone looked at me, forty years back,
And thought, That’ll be the life;
No God any more, or sweating in the dark

About hell and that, or having to hide
What you think of the priest. He
And his lot will all go down the long slide
Like free bloody birds. And immediately

Rather than words comes the thought of high windows:
The sun-comprehending glass,
And beyond it, the deep blue air, that shows
Nothing, and is nowhere, and is endless.

Talking in Bed | Philip Larkin

Talking in bed ought to be easiest,
Lying together there goes back so far,
An emblem of two people being honest.

Yet more and more time passes silently.
Outside, the wind’s imcomplete unrest
Builds and disperses clouds about the sky,

And dark towns heap up on the horizon.
None of this cares for us. Nothing shows why
At this unique distance from isolation

It becomes still more difficult to find
Words at once true and kind,
Or not untrue and not unkind.

I Remember, I Remember | Philip Larkin

Coming up England by a different line
For once, early in the cold new year,
We stopped, and, watching men with number plates
Sprint down the platform to familiar gates,
‘Why, Coventry!’ I exclaimed. “I was born here.’

I leant far out, and squinnied for a sign
That this was still the town that had been ‘mine’
So long, but found I wasn’t even clear
Which side was which. From where those cycle-crates
Were standing, had we annually departed

For all those family hols? . . . A whistle went:
Things moved. I sat back, staring at my boots.
‘Was that,’ my friend smiled, ‘where you “have your roots”?’
No, only where my childhood was unspent,
I wanted to retort, just where I started:

By now I’ve got the whole place clearly charted.
Our garden, first: where I did not invent
Blinding theologies of flowers and fruits,
And wasn’t spoken to by an old hat.
And here we have that splendid family

I never ran to when I got depressed,
The boys all biceps and the girls all chest,
Their comic Ford, their farm where I could be
‘Really myself’. I’ll show you, come to that,
The bracken where I never trembling sat,

Determined to go through with it; where she
Lay back, and ‘all became a burning mist’.
And, in those offices, my doggerel
Was not set up in blunt ten-point, nor read
By a distinguished cousin of the mayor,

Who didn’t call and tell my father There
Before us, had we the gift to see ahead –
‘You look as though you wished the place in Hell,’
My friend said, ‘judging from your face.’ ‘Oh well,
I suppose it’s not the place’s fault,’ I said.
‘Nothing, like something, happens anywhere.”

Annus Mirabilis | Philip Larkin

Sexual intercourse began
In nineteen sixty-three
(Which was rather late for me)-
Between the end of the Chatterley ban
And the Beatles’ first LP.

Up till then there’d only been
A sort of bargaining,
A wrangle For a ring,
A shame that started at sixteen
And spread to everything.

Then all at once the quarrel sank:
Everyone felt the same,
And every life became
A brilliant breaking of the bank,
A quite unlosable game.

So life was never better than
In nineteen sixty-three
(Though just too late for me)-
Between the end of the Chatterley ban
And the Beatles’ first LP.

This Be The Verse | Philip Larkin

They fuck you up, your mum and dad.
They may not mean to, but they do.
They fill you with the faults they had
And add some extra, just for you.

But they were fucked up in their turn
By fools in old-style hats and coats,
Who half the time were soppy-stern
And half at one another’s throats.

Man hands on misery to man.
It deepens like a coastal shelf.
Get out as early as you can,
And don’t have any kids yourself.

The Trees

The trees are coming into leaf
Like something almost being said; 
The recent buds relax and spread, 
Their greenness is a kind of grief. 

Is it that they are born again 
And we grow old? No, they die too, 
Their yearly trick of looking new 
Is written down in rings of grain. 

Yet still the unresting castles thresh 
In fullgrown thickness every May. 
Last year is dead, they seem to say, 
Begin afresh, afresh, afresh.

– Philip Larkin